Aftg Is The Opposite Of That One Post That's Like "love Was There, It Didn't Change Anything" Because

star trek is great because the episode i watched last night was like: have we as humans progressed to the point where there is no longer any need for gods/faith? maybe the only thing we can and should have faith in now is each-other.

And then the episode i watched today was like: yeah so kirk has this bitch computer son thats weirdly sexist? and then kirk tells his computer son to kill himself and he and spock stick bombs to it and fling it out the window and then spocks like wow captain that sure was a great display of logic when you molotov cocktailed your bitch computer son out the window and kirks like yeah i ate that fr

the book thief — markus zusak

wolfsong — tj klune

the song of achilles — madeline miller

the sandman vol. 4: season of mists — neil gaiman

mister impossible — maggie stiefvater

on earth we're briefly gorgeous — ocean vuong

a conjuring of light — v.e. schwab

kiss her once for me — alison cochrun

So, i read the @gay-fae post about how sad it is that Ed doesn't know about the conversation between Stede and Chauncey, about the fact that Ed doesn't know that Stede wanted to protect him because everything he touches ends up damaged. That is so, so sad, but do you know what makes it sadder? Ed must think that the reason why Stede left him is because he is not good enough anymore.

We know Ed didn't want anything to do with being Blackbeard anymore, he just wanted to be with Stede, in the British Army or somewhere far, far away from everyone they knew, however, from his perspective, the moment he says that to Stede, he vanishes, and even though Stede said he didn't really like how cruel and indifferent Blackbeard was, Ed must think that he only wanted the status that came from being near the most feared pirate of all times.

Ed doesn't know the real reason why Stede left, he only knows that the second he stepped down from his role, he was abandoned. And maybe that is why he once more became Blackbeard, because he was finally convinced he's nothing if not a monstrous pirate. And maybe, a part of him thinks that if he comes back to the sea angrier and crueler than ever, maybe Stede will someday come back.

when you call my name it's like a little prayer i hear you call my name and it feels like home + "i'll probably see you around?" "probably not. see you, bub." "logan." = crazy they're fucking crazy

something something Logan is the worst Wolverine because he let the world (aka his family) die and he's consumed by guilt something something Wade went through hell and back but what finally, finally broke him was losing Vanessa something something both of them hit rock bottom when their worlds died but none of them can die and they find comfort in the immortality of the other something something they're made for each other and they're so broken their pieces fit together like a little fucked up puzzle

nathaniel, neil, nathaniel, neil. andrew flips the two names around in his head like tossing a coin. heads or tails, the coin always comes up abram. nathaniel and neil are two sides of the same coin; forged in a dark basement, in musty hotel rooms, on the exy court. both hate sweets, love to run, to talk back any chance they get.

some days, the coin lands on nathaniel. jack makes one too many comments at practice and neil - no, nathaniel - has him on the ground, raquet to his neck in an instant. he can't hear what the strikers are saying but through the grate of the helment, andrew sees nathaniel's smile.

others, it lands on neil. andrew finds neil and matt splayed out on the couch, three movies deep into a "pop culture lesson". neil motions for andrew to sit and absently cards his fingers through the blond's hair. matt hides his grin in his sleeve.

but abram; he runs to andrew after each winning game to tap sticks, he sits each friday in columbia, talking about escape routes for an alien invasion, he keeps ice cream in the freezer and cigarettes in his backpocket.

heads or tails, doe or minyard, doe or minyard.

doe was made and unmade in california. 13 homes, 13 film reels constantly playing in the back of his mind, each scene driving the cuts deeper and deeper. andrew doe learns the danger of wanting and vows to keep everyone out.

minyard went to juvie for his brother. he crashed the car to keep him safe. he spent years on medication that sent him up up up to protect his cousin. minyard guards himself with knives sharper than his glare; he protects those that are his and fuck anyone else.

heads or tails, the coin starts to come up drew.

it starts small; quick grins in columbia at neil; shared dinners with aaron that don't end in a fight; something like excitment in his stomach before an exy game. when neil is hanging out with the upperclassman, he stays.

heads or tails; the coin lands on growth

my favorite dune posts ever

it's always so fascinating and heartbreaking when a character in a story is simultaneously idolized and abused. a chosen prophet destined for martyrdom. a child prodigy forced to grow up too fast. a powerful warrior raised as nothing but a weapon. there's just something so uniquely messed up about singing someone's praises whilst destroying them.

Spock's speech defending Kirk in Court Martial (S1 E20)

Spock: "The computer is inaccurate, nevertheless" Shaw: "Why do you say that?" Spock: "It reports that the jettison button was pressed before the red alert" Shaw: "In other words it reports that the captain reacted to an extreme emergency that did not then exist" Spock: "And that is impossible" Shaw: "Is it? Where you watching him the exact moment he pressed the jettison button?" Spock: "No, I was occupied, the ship was already on yellow alert" Shaw: "Then how can you dispute the finding of the log?" Spock: "I do not dispute it. I merely state that it is wrong" Shaw: Oh? on what do you base that statement?" Spock: "I know the captain. He is-" Shaw: "Please instruct the witness not to speculate" Spock: Leutenant, I am half Vulcanian. Vulcanians do not speculate. I speak from pure logic. If i let go of a hammer on a planet that has positive gravity i need not see it fall to know that it has, in fact, fallen" Shaw: "I do not see what-" Spock: "Gentlemen, Human beings have characteristics just as inanimate objects do. It is impossible for captain Kirk to act out of panic or malice. It is not his nature" Shaw: "In your opinion" Spock: "Yes, in my opinion"

Hozier writing De Selby (Part 2) inspired by a character in Flann O’Brien’s novel The Third Policeman makes the music video so much more compelling and absolutely bananas to watch, not just because Domhnall Gleeson is a treasure and delivers a killer performance without even saying anything, but also like… let me get into the lore of this:

The Third Policeman is about this mad scientist/philosopher/scholar who robs and murders someone in the midst of academic pursuit and enters this literal nightmare world where he’s punished by these policemen who are monsters and is doomed to repeat his mistakes forever. And the visuals of Domhnall Gleeson’s character are so similar the drawing of the central characters of the novel as seen above. The shabby brownish clothing, the hair colour, the shovel in hand, it all matches.

The story is also a slight condemnation of science and views trying to establish ultimate truth as prideful and heresy. As an article from The Irish Times on The Third Policeman states: “As a consequence, all theories are crackpot, all knowledge is useless and the only meaning is that life is a hell of endless repetition.”

it also states, on the novel: “To illustrate the futility of scientific theorising, O’Brien uses a recurrent theme of infinite regression. One of the characters has eyes with a pinpoint behind which are eyes with another pinpoint and so on to infinity; the narrator wonders if his soul is “a body with another body inside it in turn, thousands of such bodies within each other like the skins of an onion, receding to some unimaginable ultimum”; De Selby studies in a series of parallel mirrors infinite reflections of his face going back to early youth; and Policeman MacCruiskeen has constructed a series of nested chests with the last few so small that they are no longer visible to the naked eye. So speculation and experiment are mad activities that literally disappear into nothingness.”

And then we see Dumhnall Gleeson in the music video on a cycle he doesn’t know how to break, some violent repetition where he’s burying himself and going crazy, and the imagery of several versions of one person fits this PERFECTLY.