on september 15, 1967, spock and kirk gave birth to a beautiful baby girl named slash fanfiction
Yes, yes, the "i forgive you," the "no nightingales," and the "nothing lasts forever" are all great lines. But to me, the most heartbreaking was this one
And not enough people are talking about it.
This is the moment where Aziraphale breaks. This is the moment he realises the severity of their conversation. The horrible consequences that could follow.
This is the moment where Aziraphale, for the first time in probably all 2 seasons, spoke from his feelings instead of his logic.
Accompanied by Michael's breathtaking acting, where in just 2 seconds, he managed to convey all the excruciating and tragic feelings that Aziraphale has been going through all this time. His eyes, relaying the utter pain Aziraphale is, and has been, feeling for a long time, that he's finally unable to control anymore.
This is the moment where we and Crowley understand that Aziraphale has been lying this whole time.
"He's not my friend. We've never met before we dont know each other." Yes, he is. Yes, we have. Yes, we do.
"Were not friends." Yes, we are.
"We have nothing whatsoever in common, I don't even like you." Yes, we do. Yes, I do.
This is the moment he admits that every time he's called Crowley a fiend, an enemy, evil, not his friend, he has been lying through and through in an attempt to hide what he really feels, what he really thinks, should by chance Heaven or Hell get a word of it. He has been lying every single time.
This is the moment where he lets his true feelings out. Prompted by sheer desperation and panic, he finally said what he's been denying for millennia.
"I need you"
Look me in the eyes and tell me Neil 'not if it means losing you' Josten isn't Wall-E.
Look me in the eyes and tell me Andrew 'stand down and let me deal with it' Minyard isn't Eve.
Look in my eyes and tell me Kevin 'he can't exist without exy' Day isn't M-O.
the devil in the dark is a great episode for sooooo many reasons but something i particularly love is its characterization of kirk & spock, especially how the story juxtaposes their initial attitudes vs. their actions as well as juxtaposing them against one another. for most of the episode, kirk is very firmly situated in the command role: he’s laser-focused on his goal of eliminating whatever has been killing the miners. he has a plan & he sticks to it. he can’t afford to entertain ideas about capturing the creature for scientific study rather than killing it, because that introduces more risk to his crew. his mission is to protect as many lives as possible, full stop.
however, when he sees the horta in that cave, his first instinct isn’t to shoot. he’s wary of course, brandishing a phaser for his own safety, but he’s also curious & gentle. he studies her with wonder shining in his eyes. his movements mirror her own—he immediately picks up on the fact that she isn’t necessarily hostile towards him, & in response, he slowly, carefully, sets aside his own hostility as well. he speaks to her, makes little jokes. he watches her in perpetual amazement & intrigue, very cautiously extending a metaphorical hand to say, i don’t want to hurt you. it’s a big leap from “your orders are shoot to kill,” & that reveals a lot about kirk. he’s a good commander, he knows how to handle a dangerous situation while minimizing risk to his crew, but he’s also curious. kind. optimistic. gentle. in the heat of the moment, when he’s the only one at risk, his basic instinct doesn’t say fight, it says listen.
meanwhile, spock is immensely intrigued by the horta; he regrets that it will most likely be necessary to kill her in order to protect themselves. he spends most of the episode speculating on the fascinating science of a silicone-based life form. he even (very subtly) challenges kirk’s order by telling the security team to capture the creature if possible. he isn’t eager to use force, because he simply isn’t that kind of person—he’s curious by nature, like kirk. so it seems a great shift when, upon hearing that the horta is near kirk, he shouts through the communicator, “kill it, captain! kill it!”
realizing that kirk is in danger is like flipping a switch. the way he carries himself changes in an instant. urgency flares to life in his eyes & voice. as wild with it as a vulcan can get. freezing in place, then breaking into a run, calling out, forgetting rank. to him, the most preferable—the most logical—course of action is not to explore why the horta has not attacked the captain yet; rather, it is to eliminate the threat to kirk as soon as possible.
in a way, they represent both a reversal & a mirror of each other in this episode. kirk is a decisive & capable fighter, but his instincts steer him towards gentler things. spock prioritizes scientific inquiry & discovery, but it all appears inconsequential when his friend’s life is on the line. they balance each other, complement each other. it’s why they’re such a good command team. it’s why they fall so easily into such a deep bond. both of them, ultimately, act from a place of love.
mr spock glows pink in the night in his room btw
I’m noticing something absolutely fascinating about the early part of Spock and Kirk’s relationship. I’m making video compilations of every time kirk says Spock/Mr.Spock and vice versa every time Spock says Captain/Jim (I’ve got a spreadsheet and EVERYTHING because I’m obsessive like that)
Regardless! In the beginning, Kirk is very verbally/publicly protective of Spock which makes sense Star date-wise since Kirk just got promoted to captain of the Enterprise and Spock to first officer instead of just science officer:
He’s the first to call out people that won’t let Spock talk in Where No Man Has Gone Before, Charlie X and Balance of Terror.
He has an I’ll Kill You glare whenever anyone is racist/xenophobic toward Spock like Styles and Charlie (even Bones initially if you watch the Man Trap! Which is only their fourth mission).
You can even pin point exactly when Kirk is like “alright... I’m in love with this man” you can pin point it as a slow motion tumble from about halfway through The Enemy Within when he asks Spock to tell him when he’s slipping, to watching Spock stand up against Trelaine in The Squire of Gothos.
He’s got this “if Spock won’t fight for his place on this ship, I will.” Attitude that hits a fever pitch in The Menagerie
Spock on the other hand is extremely physically protective of Kirk from the get-go, even though he hasn’t even fully sized Kirk up. I think at least initially this could be chalked up to feeling like he failed to protect Captain Pike in The Cage (and later from the events that prelude The Menagerie) but it’s more than that. I think it’s also a manifestation of his inner frustration about how closed-off Kirk is because of his painful past:
He goes so far as to request a freaking phaser rifle in Where No Man Has Gone Before, just to potentially protect Kirk from Mitchell, and seems a little peeved that Kirk fought him alone. That’s not his freaking job, he’s a science officer
Pretty much ALL Spock’s actions in The Man Trap, Charlie X, Squire of Gothos, What Are Little Girls Made Of are directly to protect Kirk, forsaking his scientific curiousity (something he will keep doing for Kirk’s sake as we know)
In Dagger of The Mind Spock even forsakes his own personal boundaries to potentially protect Kirk by mind melding with Dr. Van Gelder.
All of this frustration culminates in the way they bicker in Conscience of A King, Kirk is closed off and has a self-destructive streak that Spock can only curb by physically getting in the way.
This protectiveness (like Kirk’s) hits its fever pitch in The Menagerie where Spock is willing to potentially face the death penalty for both his captains because of his intense protectiveness of them.
They protect each other in opposite ways that you’d expect them to, Spock the academic punches monsters and throws himself into bodily/mental peril without hesitation. Kirk the soldier cuts with words and wit to defend Spock from prejudiced assholes and is absolutely enthralled by Spock’s intellect.
All these episodes I’ve discussed are only the first half of the first season. It sets the tone for their relationship, their proclivities complete one another and it’s so... romantic. I don’t see how other people don’t see it.
Of course the relationship evolves beyond this simple feelings protectiveness but man, it sets a tempo to their romance.
I didn't want to leave, Crowley. I didn't have a choice. I'm doing this for you. For us. We're still on our side.
Can I also say how touching it is that Stede said he believed Ed would he happier without him, who, even in his fantasies, could only picture Ed wanting him as a picture of masculinity with a beard and no hesitation to kill. Stede still, deep down, doesn't understand why Ed would ever want him as he is.
But who did Ed see coming down to rescue him? It wasn't a manly recreation of Stede with a beard, masculine style and a killing spirit, it was a merman. Someone bright, colourful, by all accounts a rather feminine perception of Stede.
That was who rescued Ed. It wasn't who Stede thought he needed to be, it was someone soft, and bright, and graceful, and expressive. Someone feminine, someone queer.
I just think that's beautiful.
thinking about spock being too human for vulcan, and too vulcan for most humans... and then there's kirk who looks at him with huge homosexual eyes and trusts spock with his life time and time again. and compliments his mind. and compliments the glimpses of his emotions. THEY MAKE ME ILL!!!!
star trek is great because the episode i watched last night was like: have we as humans progressed to the point where there is no longer any need for gods/faith? maybe the only thing we can and should have faith in now is each-other.
And then the episode i watched today was like: yeah so kirk has this bitch computer son thats weirdly sexist? and then kirk tells his computer son to kill himself and he and spock stick bombs to it and fling it out the window and then spocks like wow captain that sure was a great display of logic when you molotov cocktailed your bitch computer son out the window and kirks like yeah i ate that fr
But I can see a lot of life in youSo I'm gonna love you every day
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