Can I also say how touching it is that Stede said he believed Ed would he happier without him, who, even in his fantasies, could only picture Ed wanting him as a picture of masculinity with a beard and no hesitation to kill. Stede still, deep down, doesn't understand why Ed would ever want him as he is.
But who did Ed see coming down to rescue him? It wasn't a manly recreation of Stede with a beard, masculine style and a killing spirit, it was a merman. Someone bright, colourful, by all accounts a rather feminine perception of Stede.
That was who rescued Ed. It wasn't who Stede thought he needed to be, it was someone soft, and bright, and graceful, and expressive. Someone feminine, someone queer.
I just think that's beautiful.
Please, let me crawl inside your ribcage, because when she looked at me wearing that cruel little smile that no one else gets to see, I could see in her eyes, once again was 8 years old, with blood on my lips, looking up at her and feeling so very small that I knew there was nowhere I could run away.
Please keep me inside your ribcage, I'll be tiny, I'll be quiet, you won't even notice me, but I think maybe there I could smile, maybe there I could heal, maybe there I could feel safe.
In “The Naked Time”, while Spock becomes overwhelmed by his emotions and love to the point of even questioning why he ever lived by Vulcan values, Jim on the other hand goes almost insane over his rejection of love and intense loneliness. This is the most apparent moment in the franchise where we see that to their core, Spock and Jim are narrative foils: no matter how deeply someone looks into their characters, one will always be surrounded by debilitating isolation for the sake of self dependence while the other is so compassionate it borders on self destruction.
However, with the resolution of the episode we see that such traits will always make both Spock and Jim a strong dynamic, as they are paralyzed apart but perfectly balanced together, showing the unity of some of the most well-intended yet corruptible traits of the human condition. In this essay—
my favorite dune posts ever
theres something so special to me about kirk being incredibly private, unhealthily so, he alone going his way doing what he feels is right. it's exhausting but it's what he's always done, it's what he must do.
but spock and mccoy, they notice there's something wrong, they meet up, try to to find out what it is and how to help.
spock might not know much about human emotions but he knows loneliness and he knows guilt and he would never want jim, his brilliant captain to feel that.
so spock, the cold, emotionless vulcan goes to his quarters and talks to him stern but kindly. he erases his memory, he's always ready to be by his side no matter what.
the both of them would see stars born and die before they'd willingly let anything happen to jim
What made WH so scandalous at the time?
Many things!
—There were a lot of implied or outright stated “ugly realities” in the novel. Heathcliff is brought to the Earnshaw household as an “orphan” (who we can now interpret as being possibly a person of color, though I don’t know how much Emily intended that—it’s something some readers may also have interpreted from the language she used). He has no real reason to be there being Mr. Earnshaw just picking him up. Why did he pick him up? Is he a bastard? And if that’s the case, did you just read a book about two half siblings being in love?
Even if you don’t, the fact that Heathcliff and Cathy do grow up together and spend all their time together while falling in love suggests a lot of potential intimacy, which extends beyond her marriage to Linton. The book may not say that they FUCK behind Linton’s back, but Cathy and Heathcliff remain IN LOVE behind his back. Or like, basically in front of him. These types of raw emotional issues were not something people on high necessarily wanted the masses reading about.
—Both leads suck! Cathy is a selfish brat who really doesn’t care about stepping on Linton’s heart, and she really fucks with Heathcliff’s head as well. She doesn’t suddenly become a better person through marriage, and even after she has her baby, she seems kinda like a shithead as she’s dying. I love her.
Heathcliff is much worse, obviously. Beats his wife to the point that she flees his house, abuses his sons both biological and surrogate. It was pretty shocking at the time.
—Even if sex is not on the page (exactly—there are definite allusions to Isabella and Heathcliff’s sex life and Isabella being physically attracted to his wild coarseness) it’s a really carnal book. Linton is mild and relates to civilized society, something Cathy does love and knows she should love. Heathcliff relates to the nature she adores and grew up rolling around in. She can’t shake him. He’s very tangible; you get the idea that they grew up cuddled together and constantly holding hands and just being obsessed with one another. His expression of his love for her is very violent—when she dies, he smashes his head against a tree until it bleeds. These things read as very erotic, and would’ve read as more so in an era when you didn’t have sex on the page. And these are, again, two horrible people who never marry and hey! Could be brother and sister for all we know, lmao.
—Heathcliff is an orphan of the lower class who happens to be taken in by a well off family. He nonetheless raises himself to be a wealthy man, and in many ways much of his anger seems fueled by a resentment towards the upper class, in part because it took what he wanted (Cathy). He not only has a child with an upper class woman, but takes revenge by forcing another upper class woman to marry his son, claiming her father’s line. A lower class protagonist rising and essentially unleashing his wrath on the upper class was very threatening and suggests a level of sympathy with this upward mobility.
—It’s a very spooky book. Cathy’s ghost appears at Heathcliff’s window. Heathcliff digs up Cathy’s corpse… why? Uh, who knows….? Heathcliff explicitly begs Cathy to haunt him after she dies because he’d rather have her dead and with him as like, a shade, than dead and at peace. Heathcliff is often described in these demonic terms, which gives you a sense both of people being afraid of him because he is lower class and rich, and because he offers a kind of earthy carnality than doesn’t belong in their society.
Anyway, these are some of the reasons! It’s a gorgeous book, and one of my all time favorites.
andrew interacts with neil like he's playing episode with no diamonds
In What Are Little Girls Made Of, there is something so adorable about jim, completely trapped, his only chance to be saved is by possibly planting a false idea into the androids mind, deciding to go with being a prick to spock because that would be so out of character it would warrant looking into
I like reading Spock analysis because his character is absolutely awesome. Spock is a character that acts like a prim rule follower, but in reality, he has a complex set of internal rules, beliefs, and a strict moral compass. He is not necessarily a good person, depending on the point of view, but he is both empathetic and capable of viewing the bigger picture, and able to act immediately (but never rashly) while following his personal code. He might regret the outcomes, but he will stand by his choices as the best option available at the time. He is so interesting because he is a rebel, if he has to be, or a rule follower, if the rules agree with his code. He is immovable by the moral standards of society. And he doesn't bother making a scene of it, so most people never notice. But Spock only ever does what he believes to be right.
But I can see a lot of life in youSo I'm gonna love you every day
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