“he’s So Kaz-coded.” No, He’s Just An Intj. We Are Brooding And Hot And Here To Win. You Love

“he’s so kaz-coded.” no, he’s just an intj. we are brooding and hot and here to win. you love us.

More Posts from Any-corrie and Others

2 years ago

Everything is fine. Im completely fine. Its not the fact that one day, its just going to be nina, alone. At everyones funerals. No more crows. No more heists. No more chaos. Its no more. Just nina.


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2 years ago

each and every day i'm getting closer to watching free rein. it'd be such a fever dream and my inner horse-girl-child would be so thrilled

Freddy Carter went from stealing medical supplies for sick horses as Pin Hawthorn to becoming bastard of the barrel attempting to steal the sun summoner and if that’s not character development then I don’t know what is


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2 years ago

If every single one of you who watched s2 (or not yet) but would like to see a continuation to their story would tune in this weekend and give one full watch (again or for the first time) of the whole eight episodes, it'd do wonders for the numbers. So if you have a netflix account, please do so NOW! It'll be four weeks on the coming Thursday and then their fate is pretty much sealed.


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2 years ago

thinking about how, as a child, kaz’s favorite trick seemed to be watching something disappear, and then he grew up and fell in love with a girl who could vanish into thin air, and how we’re told that when he looks at inej, he feels like a boy again and believes that there’s still magic in the world. imagine loving magic all your life, and then discovering that magic loved you too.


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8 months ago

FINISHED BUNNY!!!

Ok so honestly i didn't cry, and I'm happy she didn't kill them but killed max instead. She took away what they desired the most, what they were destroying themselves for. And she freed herself contemporary. Also it might be me projecting but at some point this book was so trans coded when she drew all the parallels between herself and Max. ||

It's all in the simbolysm i think, this book is not about revenge, actually Sam is angry at the world for most of the book, by killing him. She killed a part of her that she needed to let go off. Or maybe to make peace with. Wich was also what made the Bunnies seek her out and hate her because they couldn't make her like them.

Like we never get an actual description of Samantha, but then she says that she sees her face in Max and to me then she just looks like max, maybe with her hair longer. Max is a mix of all her ex lovers yet it feels a purely aesthetic thing, a very "I don't know if i want to kiss him or be him."

|| I think that her blockage with writing is like a symptom that something is wrong. Because she is not focused on actually writing, she is writing Ava, she is creating her as she goes and therefore she can't write anything else. When her and Ava get back together she is immediately able to write again because Ava is a complete character now that can make her own decisions (like thell max to leave) and so she can actually go back to writing.

||There is also the fact that she doesn't have her narrative language. Every other girl has a narrative language, that they exhaust and re use to the nausea, because they are too scared of being anything else (another commentary on genred and their use extreme of femininity) while Sam doesn't have a language like that, she doesn't have a comfort subject that she can keep using to hide the fact that she doesn't know what to write, because she has no identity, no home, no face. She is a blank page and that's why the other girls immediately want to grab her. Because that way they can write her as they want, eliminating an adversary and erasing any changes of self descrivery on her part.

1 year ago

normalize reading a book without caring if the spine breaks, folded cover, misspelled annotations and just ruining the book completely as a form of art


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9 months ago

TSH hot takes 🔥

-Julian was actually a dick. He isolated and groomed vulnerable students (do you think it's a coincidence that every single member of the greek class had a difficult home life?) into thinking that these very outdated concepts of love and power were good for them. He compared their dangerous behaviour to that of ancient gods. Then, rather than face the consequence of his actions and take accountability, he left when it mattered.

-Charles was an asshole, but he's not a scapegoat. You cannot blame all the problems on Charles, he was an addict as a result of his trauma. He needed help. This doesn't excuse him from his actions, but it explains them. At the beginning of the book he physically could not bring himself to hurt Camilla. He's not a "bad" person. He's a sick person.

-Bunny didn't deserve to die, but he was also probably going to condemn the group at some point. He didn't just die for no reason. (Believing that Bunny's death was truly pointless also means believing that Henry was an actual psychopath who killed his friend for shits and giggles.)

-Judy, Cloke and Sophie ended up the happiest. That is literally the moral of the book. Judy wasn't all tortured when Richard didn't want to hang out with her, she shook it off and kept living her life. That's literally the point.

-Richard was never in love with Camilla. He loved the idea of her, but didn't see her as a person. Because of this specific dynamic and the fact the Richard is narrating, we know nothing about her actual personality. Anything he says can be disputed, and a lot of it contradicts itself.

-Francis is not blameless or unproblematic, but of the group he probably had the best intentions. Most of his behaviour that can be interpreted as creepy can be chalked up to Richard's internalized homophobia (remember, everything is told from his point of view, and Francis was a gay man in the 80's) When you look objectively at what Francis did, you see that he made a pass, got rejected, then dropped it and moved on. There is (i think) one more attempt made later on in the book, and that is furthered by Richard and only interrupted when Charles shows up.

-Henry may be the metaphorical representative of death when talking about the book, but in the narrative it's important to remember he's also just a person. Otherwise everything he does seems beyond question, and he's assigned this label as just "evil." He was 21!! Literally still a kid

-There were not good or bad characters. The reason they hit so hard is because each of them are so layered. They all have good traits and bad traits, but calling one "evil" takes away their humanity and dismisses their complexity that makes them so great.


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any-corrie - kornelia.
kornelia.

your friendly neighbourhood hobbit, she/her

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