-Julian was actually a dick. He isolated and groomed vulnerable students (do you think it's a coincidence that every single member of the greek class had a difficult home life?) into thinking that these very outdated concepts of love and power were good for them. He compared their dangerous behaviour to that of ancient gods. Then, rather than face the consequence of his actions and take accountability, he left when it mattered.
-Charles was an asshole, but he's not a scapegoat. You cannot blame all the problems on Charles, he was an addict as a result of his trauma. He needed help. This doesn't excuse him from his actions, but it explains them. At the beginning of the book he physically could not bring himself to hurt Camilla. He's not a "bad" person. He's a sick person.
-Bunny didn't deserve to die, but he was also probably going to condemn the group at some point. He didn't just die for no reason. (Believing that Bunny's death was truly pointless also means believing that Henry was an actual psychopath who killed his friend for shits and giggles.)
-Judy, Cloke and Sophie ended up the happiest. That is literally the moral of the book. Judy wasn't all tortured when Richard didn't want to hang out with her, she shook it off and kept living her life. That's literally the point.
-Richard was never in love with Camilla. He loved the idea of her, but didn't see her as a person. Because of this specific dynamic and the fact the Richard is narrating, we know nothing about her actual personality. Anything he says can be disputed, and a lot of it contradicts itself.
-Francis is not blameless or unproblematic, but of the group he probably had the best intentions. Most of his behaviour that can be interpreted as creepy can be chalked up to Richard's internalized homophobia (remember, everything is told from his point of view, and Francis was a gay man in the 80's) When you look objectively at what Francis did, you see that he made a pass, got rejected, then dropped it and moved on. There is (i think) one more attempt made later on in the book, and that is furthered by Richard and only interrupted when Charles shows up.
-Henry may be the metaphorical representative of death when talking about the book, but in the narrative it's important to remember he's also just a person. Otherwise everything he does seems beyond question, and he's assigned this label as just "evil." He was 21!! Literally still a kid
-There were not good or bad characters. The reason they hit so hard is because each of them are so layered. They all have good traits and bad traits, but calling one "evil" takes away their humanity and dismisses their complexity that makes them so great.
love when jesper asked wylan "shouldn't you be in university" my brother in christ shouldn't YOU be in university
(+ some S&B)
WESPER DELETED SCENE
each and every day i'm getting closer to watching free rein. it'd be such a fever dream and my inner horse-girl-child would be so thrilled
Freddy Carter went from stealing medical supplies for sick horses as Pin Hawthorn to becoming bastard of the barrel attempting to steal the sun summoner and if that’s not character development then I don’t know what is
“he’s so kaz-coded.” no, he’s just an intj. we are brooding and hot and here to win. you love us.
incorrect sab subtitles part (?/?)
thinking about how, as a child, kaz’s favorite trick seemed to be watching something disappear, and then he grew up and fell in love with a girl who could vanish into thin air, and how we’re told that when he looks at inej, he feels like a boy again and believes that there’s still magic in the world. imagine loving magic all your life, and then discovering that magic loved you too.
missing this barrel rat right now
Everything is fine. Im completely fine. Its not the fact that one day, its just going to be nina, alone. At everyones funerals. No more crows. No more heists. No more chaos. Its no more. Just nina.