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Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
This is so helpful!!!
Writing Tips
Punctuating Dialogue
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➸ “This is a sentence.”
➸ “This is a sentence with a dialogue tag at the end,” she said.
➸ “This,” he said, “is a sentence split by a dialogue tag.”
➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”
➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”
➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”
➸ “Use a comma when a dialogue tag follows a quote,” he said.
“Unless there is a question mark?” she asked.
“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”
➸ “Periods and commas should be inside closing quotations.”
➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”
However, if it’s not dialogue exclamation points can also be “outside”!
➸ “Does this apply to question marks too?” he asked.
If it’s not dialogue, can question marks be “outside”? (Yes, they can.)
➸ “This applies to dashes too. Inside quotations dashes typically express—“
“Interruption” — but there are situations dashes may be outside.
➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.
➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”
➸ “Use paragraph breaks to indicate a new speaker,” he said.
“The readers will know it’s someone else speaking.”
➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.
“This shows it’s the same character continuing to speak.”
A man who could so easily kill you, torture you until death. Lulls you into eating his food.
For what need is there to tamper.
You eat the first bite, savoring it deeply, then start gorging on the rest like a ravenous pig. Your appetite is insatiable. You're starved.
But after a while, you start feeling dizzy and nauseous, your limbs feel weak, like a puppeteer has let go of the strings. And there he stands, laughing at you. Enjoying every moment. It was never about killing you swiftly. He wanted to see you suffer and, at last, finally drop your guard and give in to temptation. A gift from your captor that you accepted oh so graciously. His laughter echoes in your mind until your last breath.
I want to start reading Journey to the west. But, I can't really handle reading the entire thing. My concentration level is low. Is there a faithful adaptation that I can read?
Macaque is just being a little shit
Also Macaque is so damn fun to draw!
I haven't had ths much fun drawing in a while.
Also who is someone you like to draw a lot!
And does anyone have any suggestions for anything LMK to draw?
It can be platonic or Romantic or just a character!
And sorry for yapping
Goodbye have a nice day viewer!
This hits right in the feels
My favorite crack ship with my favorite characters!
Based off of @kyri45's Bio parents au
Excellent for creating tension, urgency, or drama because they speed up the pacing and convey intense emotion.
She said no. I didn’t listen. I should have.
These are great for descriptions, adding detail, and explanations. They can create an intellectual or reflective vibe—or even a dreamy one. You can also use them to evoke a sense of being overwhelmed. They slow the pacing, add complexity, and help build tension. But once you're in the thick of a tense moment, it's often better to switch back to short sentences to keep the energy up.
As the sun dipped behind the horizon, casting a golden sheen across the cracked pavement, she stood there, unsure of what she was waiting for—only that something, anything, had to change.
These give off a casual, stylized, and emotional tone. They're perfect for internal monologue and mimicking the way we actually think or speak.
Not the way I planned. Not even close. But here we are.
They add drama, rhythm, and emotional intensity. It's a powerful stylistic tool that can drive a point home.
She wanted peace. She wanted quiet. She wanted to forget.
If you're aiming for a formal, archaic, or poetic tone, this structure will get you there.
Gone was the light from his eyes.
If you're going for a conversational, conflicted, or stream-of-consciousness vibe—even something humorous if used right—interruptions are your friend. They mimic how we speak and think in real time.
I was going to tell her—God, I really was—but I couldn’t.
Questions are fantastic for showing uncertainty, anxiety, or inner conflict. They can also give off a philosophical tone and invite reflection from both the character and the reader.
What if I never make it out? What if this is it?
Reference Image under!