I think Matty Healy is awful but I’m still proud of Taylor putting “but daddy I love him” on the record.
There are songs on the album about her realising he love bombed her and manipulated her. Realising she fell for all of it, she was never going to fix him, and he was never going to be her saviour. She is scathing towards him, but also towards herself for falling for it. She could have left it at that and maybe copped less criticism. Instead she acknowledges the backlash and the defiance she felt in that moment.
It makes me feel the same way her putting Ours on Speak Now does. Grateful that she is open to sharing her stories even when the muse isn’t deserving of the words she wrote, even when releasing it fans the fires of the “I told you so” crowd.
And much like Ours is not a defence of Mayer, BDILH is not an acquittal of Healy. The phrasing she uses is not “he’s a good man they just don’t know him like I do”, it’s “I’m not coming to my senses” “I’d rather burn my whole life down”. The message of the song is not her trying to convince you he’s a good person (he’s not), it’s about a woman stumbling through a crisis and her desperate need to be able to make her own decisions, and that includes her own mistakes - which she seems to be acknowledging Matty was.
If you’re not paying attention, you’d be like, ‘oh, yeah, it’s about high school love’... but then you listen closer with the context of her singing about AMERICA, or rather, TO AMERICA and it’s politics. “You know I adore you, I’m crazier for you, than I was at 16, lost a film scene.” This is really obviously symbolism of, ‘I was so caught up in my own life and being distracted by my career I didn’t really notice you, American politics, needed my attention.’
I now kind of read the chorus in two ways, too. She could so easily just be singing to the Heartbreak Prince as a love interest, saying, “It’s you and me,” and that the rest of the world doesn’t approve of her being with him... but the chorus is so much more layered when you approach it from the singing about her society / her country angle. It’s like she’s saying to America, ‘remember when I was known for my 4th of July parties? You were my whole world’, but then the Republicans claimed her for their own in her silence, and people were bullying her and talking about her, so ‘they whisper in the hallway she’s a bad bad girl.’
So when she says, “the whole school is rolling fake dice”, (which is !!!!!) This is her saying she realises the new America she lives in is run by those who manipulate the system, (just like she said in that Guardian interview as well??!). Then she’s like taking a dig, like, if ‘you’re doing to play stupid games with power, then your prize isn’t a real prize, either’.
This analogy is made even more clear and easier to see in the second verse with, “my team is losing / batteries and bruising / I see the high fives between the bad guys,” and “American stories, burning before me / boys will be boys then, where are the wise men?’ Because guess who said, ‘boys will be boys’ famously???? A certain President.
The whole analogy is genius when it’s then mixed with the American high school symbolism as well? Because to anyone who isn’t American, the MOST American thing is movie vision of ‘high school’, of cliques, of cheerleaders and bleachers.
And there ain’t nothing more cliquey and high school than two party politics at the moment, huh?
Me and my bestie are rewatching mvs from midnights and Speak Now TV to find the days to clown about for reputation tv
Taylor calls herself crazy all throughout TTPD, but maybe I’m just as insane because I actually think she’s quite normal? Because if I ended a once happy 8 year relationship because the love was gone and we were both no longer in love to then get with a situation-ship who has been pinning for you for years only for them to abandon you when they finally got you, I’d commit full arson.
my dream as a fanfic writer is to write a story which people want to talk to me about and send asks about afterwards and discuss things the characters did and the symbolism and meanings behind certain lines and I'll be all "hehe thanks" but irl I'll be in literal tears because I wrote something that means something to someone
the album is brutally honest, satirical, a bit cringe here and there, depressing and experimental at the same time, I would not side eye anyone for saying "I don't understand this" or "this isn't my cup of tea" or even "what the fuck is this" because it's obviously not a 1989 or midnights kind of album for everyone. I understand why she said she "had to put this out" but while she is at the peak of her career, she released an album that is not for beginners nor really for overall critics, it's knees deep into the taylor swift lore and probably the most herself an album has ever been, that does not mean it is a masterpiece but it makes it so insanely special
You ever just go through an author’s body of work, fic after fic and like want to cry because everything is just so good and you know that this author has got you and you trust them implicitly to take your heart on a wild ride of angst and pining and love and happy feels?
Yeah.
Seriously, bless fic writers. We owe them so much.
when youre writing but you forget a word that was in your head milliseconds ago so you just die for the next 93 years
I'm not sure if anyone has shared this yet, but it's phenomenal, and such a transcendent, emotional journey through her music.
the video is also spectacularly gorgeous, I'm in awe of the impressive talent, dedication, and time that must've gone into creating this and capturing the highs, lows, and connective tissue of these (230!!!) songs. it's like a magic distillation of why so many of us are impacted by and love her art the way we do:
Of course I know what I'm doing, I'm a writer! (Hurriedly patching a massive plot hole with duct tape and pins)
katniss usually reserves the term beautiful for things of the capitol (or the capitol-esque districts). whether that be cinna's beautiful costumes (thg, 139; cf, 20) or the district one tributes (thg, 69, 192; cf, 54). the role of katniss's prep team is to make her beautiful (mj, 54).
and because of this association with the capitol, katniss prides herself on not taking pleasure in it. she is eager to "scrub the scent of beauty from her body" when she is in the capitol (thg, 139). and she jokingly teases peeta for being susceptible to the capitol's beauty unlike her (cf, 60). even as prim compliments her on her beauty before the first reaping, katniss is quick to counter that she is nothing like herself (thg, 15).
because while she might describe her woods and the nature around her as beautiful, katniss does not directly call anyone in her close circle beautiful. she will imply that prim is beautiful like how her mother once was (thg, 3). or point out gale's beautiful hands as they assemble the snares (cf, 28). she will allude to the beauty of these people. but never directly coin them as beautiful. except for one person.
because in her overwhelming relief, the peeta that she eagerly rushes to embrace for the first time after the games is clean and healthy and beautiful (thg, 360). it is almost like her mind lets it slip in at the last second. that he is beautiful. and afterward, all of the items that peeta produces are labeled beautiful. his cakes (thg, 95), his cookies (cf, 8), and his pearl (107). it seems like everything that his hands touch become beautiful from association.
and for all of the talk katniss gives about not having an eye for beauty, she relies on it in what she thinks are her final moments. after katniss gives peeta the life-saving medicine and collapses in front of him, her eyes fall on a beautiful green-and-silver moth (thg, 189). and she eagerly searches for a final piece of beauty before the quell arena explodes. but she can't find peeta (cf, 108). she can't find his pearl (cf, 108). so, her eyes eventually settle on a star to give her comfort (cf, 108).
and so it is even more tragic that the one person she allowed herself to deem beautiful was morphed into something else. just like in haymitch's games, where all of the beauty of the eden-esque arena turned into a deadly facade (cf, 56). only now snow has turned katniss's beautiful boy with the bread into a personal weapon against her. and it is so demoralizing to katniss that she vows vengeance and then hopes for a quick death in the process.
but then that makes it even sweeter that peeta is the only person that truly comes back for katniss in the end. because the war was almost successful in taking away everything beautiful from katniss. gale's beautiful snare-constructing hands became the means of senseless violence. prim's face was no longer there to be reminiscent of katniss's mother's beauty.
but there he was. and although burns licked his forehead and scars were scattered throughout his body, no amount of fire could ever burn away the beautiful blue of his eyes. slowly, her beautiful boy came back to her. a long glance across the breakfast table. an awful joke directed towards him that was quickly rewarded with a smile that not even the games could take away (thg, 360). his embrace that hints of cinnamon and dill still there after all this time. because while the war may have convinced katniss that she was unworthy of beautiful things, her dandelion in the spring reminded her that she always was.
Fandom Maniac//Hufflepuff// fanfic writer and fanatic
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