Just a thought but what if the gang goes to the beach with Jabberwocky and he runs to the water and Jean runs after him without thinking and he's now just standing there, water to his ankles, holding another 6 year old Moreau in his arms and he's actually happy. π₯²π₯Ή
UNMUTE THIS. IT GETS BETTER I PROMISE | DURAGSEOK
This is the money Bakugo. Reblog for financial luck!
Written by Australian doctor Rachel Heap, aimed at anti-vaxxers explaining the risks of neglecting to vaccinate children
I never post on here but I made this playlist of all the songs that were mentioned as chapter titles or in the story itself in 10 Dance. Hope ya'll enjoy.
Old hag by *veprikov
Being a witch is not the highest paid job in the world.
some of my favorite things about Anora in no particular order (SPOILERS BELOW):
the goons, wow what all timer movie goons. concussed guy for goon of the year
when anora beats the shit out of those goons for a fifteen minute stretch and they get increasingly more afraid of her. comedy gold, just pitch perfect comedy treading the line between should-i-be-worried-for-her and the disarming buffoonery of the goons
ivan's mom stomping on the last step of the private jet stairs. her incredible houndstooth suit. every second of her on screen.
all of them throwing the pens at the annulment woman
ivan's dad dying laughing during the annulment as anora throws all of the moms shit on the ground
every parking in new york joke from the ticket in front of the courthouse to getting towed down on brighton beach
how the entire time, nobody pulls out a weapon, not once. and yet, the threat of violence and danger still lingers in the periphery because of the deftly constructed tension of the roving camera and contextually what we don't know about this family and the broader scope of ivan's world and the looming threat of the parents. how far can she push the goons until they get violent, and yet they never really do, but baker never lets you exhale that breath.
when they walked into tatianas..... like sean does his RESEARCH
also the t.A.T.u needle drop like i screamed
also the fight over driving or walking for five minutes in the cold. the new york specificity in this movie is pinpoint accurate, down to the mundane
the ending, her having a breakdown release of everything that had happened to her and how humiliated she was, but also how she thought she had gotten out and made a fairytale of her life. how using her body was the only power she has ever had, and how that was what she defaulted to with Igor in that last scene, but it was when he wanted to kiss her that the facade of power broke down and so did she. how she had to face her own humanity, and in that moment ask herself if she wanted to kiss him, because he was giving her perhaps her first real choice in a long time, and that opened a pathway to maybe questioning whether she truly wanted any of what had happened to her. maybe in that moment she realized that her body is not as powerful as she perhaps convinced herself it was. she was far more powerless than all her bravado and will probably always be powerless in the socioeconomic systems of the world that are built up around her. how disposable she was made to feel maybe for the first time, and how she thought she had built up that bravado and detached arrogance around herself so that she would never feel that way, but the feeling still seeped through nonetheless. all of that delivered wordlessly, in silence, buried under the falling white snow that will throw a white, pristine blanket over everything as if nothing significant had happened at all.
but also like igor, i too would fall in love with her almost instantly and tbh i did. rip to Ivan, anora i am hopelessly in love with you, and i would die for you.
[The crew is being asked what love is to them]
Leo: What do I think love is? Uh It's like when someone makes your stomach feel all tight, but floaty at the same time, you know? And your cheeks hurt from smiling. And you smile so much that people think something's wrong with you.
Hazel: Love is light. Acceptance. Fire.
Reyna: Pain. Horrible pain. That you want again and again.
Leo: And also, fucking. Twenty-four seven, can't-walk-right fucking.
Jason: Ah! It's just chilling, you know? Kicking it with somebody, talking, making mad stupid jokes. And, like, not even wanting to go to sleep, 'cause then you might be without 'em for a minute. And you don't want that.
Nico: Why are you asking me that? You shouldn't be talking to me.
Piper: Okay, it's like getting into a bath, but the water is like warm chocolate pudding. And The Smiths are playing "There Is a Light That Never Goes Out". Oh. There's warm lighting all over and there're like five dudes massaging you.
Annabeth: And you have a pizza.
Piper: She's right. And you also have a pizza.
Frank: Hey! It's like you become more you. Which normally is like [Makes explosion noises] But now it's okay Because the person, like, whoever, they chose to take all that on. All that weird stuff. Whatever's wrong or bad or hiding in you. Suddenly it's all right. You don't feel like such a freak anymore.
Percy: It's like coming home after a long trip. That's what love is like. It's like coming home.
I love Derrick and Derek and how they treat Jean
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barkbark sleep paralysis demon