THIS IS IT

THIS IS IT

I Want To Talk About THIS Moment. Right Before. There's A TON Of People Misreading Caitlyn's Intent Because

I want to talk about THIS moment. Right before. There's a TON of people misreading Caitlyn's intent because she's using such a playful demeanor after Vi's sorrowful self-deprecation. To be honest, it's the best response she could have had, and the best tactic. Her demeanor serves as a stark contrast to the spiral of self hatred that Vi is going down, and it's an excellent distraction. Caitlyn is stopping her line of thinking, right then and there, and she does it while delivering one of the most romantic and understated declarations of love I've ever seen.

Stay with me here.

Let's be very clear: Caitlyn did NOT come to the cell with the goal of seducing Vi. Not even. How do we know? Aside from several context clues that come before this scene, the way Caitlyn responds to the kiss is very telling:

I Want To Talk About THIS Moment. Right Before. There's A TON Of People Misreading Caitlyn's Intent Because

See how long it takes Cait to even register what the fuck is going on?? She's literally like "oh. OH. we're kissing? WE'RE KISSING." And Vi also OPENS HER EYES very briefly, to check that Caitlyn is as into this as she is, right as Cait settles into the kiss, likely sensing her hesitation/delayed reaction. This scene is NOT Caitlyn seducing Vi. This scene is Caitlyn giving herself to Vi, and Vi choosing exactly what she wants to do with her, which is VERY different.

What does Caitlyn say right before the kiss? She says, "Do you really think I needed all the guards at the hexgates?" Translation: I left Jinx's cell unguarded on purpose. I want you to know that I heard you during our last conversation. I want you to know that I trust you. I want you to know that my love and care for you is more important than my need to sate my grief and desire for revenge. I choose you.

And following: "Sorry to say, you've grown a bit predictable." Translation: I know you. I see you. I knew you would choose this, coming after your sister, and I facilitated the circumstances in which you COULD choose this. You don't choose wrong. You choose love, and I understand that now. I want you to know that I support your choices, and they won't cost you the people you care about, at least not me, not anymore. I know that you'll always choose your sister, and I've made peace with that. What you want is what I want.

That is MONUMENTAL. That's quite possibly one of the most romantic things I've ever seen in media. Because who the hell has the guts to give up their grief and forgive their mother's murderer, all for love? That's a level of sacrifice that not enough people are acknowledging.

People say Caitlyn never changed, never felt remorse, never grew from the bad choices she made. I say wrong. And this was the turning point.

More Posts from Nomgett and Others

8 months ago
7 months ago

Please open this fine platter I present to you

They are gay your honor

Edwin looking at Charles

Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles
Edwin Looking At Charles

Charles version

9 months ago

Edwin and Niko are same text different font if you think about it

Same spectrum different sides fits too


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7 months ago

Excuse me for a second

*cries aggressively in the corner*

I’m gonna talk about Dead Boy Detectives for a second, specifically Charles and Edwin’s deaths.

Edwin died in a basement and Charles in an attic, and Edwin went to Hell and Charles was presumably meant to go to Heaven. Edwin died by fire (demons from Hell) and Charles died by ice (hypothermia). Edwin was targeted for his queerness and Charles for the color of his skin, the country his mother came from. Edwin never seemed to get along with the boys who would kill him but Charles called his murderers friends until they turned on him. Edwin died by supernatural means while Charles died by run of the mill racist teenagers. They died more than 7 decades apart.

When you look at the details there are so many differences but the story is still the exact fucking same. Two boys who died at the hands of a group of their classmates who decided that they did not fit with the rest of them and therefore must pay the price. Two boys who died on the same grounds of the same school, whose deaths were brushed aside and covered up by people who held the same titles. More than 70 years apart and not a single thing has changed, Charles’ death didn’t get any more attention than Edwin’s, because more than 70 years later the same fucking story happened again.

Edwin’s death didn’t change a damn thing, and it could happen again now because Charles’ death didn’t change a damn thing either. And then the ghosts of two 16 year olds decided that if the adults, if the living weren’t going to change anything then they fucking would. If the living would not grant them justice and would not grant them change, then they fucking would.

Because there was a difference, in the end. Edwin was murdered, and so was Charles, but while Edwin died scared and alone Charles didn’t. Edwin died in a cold, dark basement, but Charles died in warm light of a lantern, even if that warmth wasn’t enough to save him. Edwin died to the sounds of his own screams, his own voice pleading for mercy that would not come, but Charles drifted off to sleep to the sound of a kind boy reading him a book.

The living won’t change. The story could and will keep on repeating because the living will not make sure it doesn’t. The living are messy. But the dead, for all the ways they will never change, will never get any older, they can change the story, at least a bit. Charles and Edwin can’t make sure that no other boy dies at that school, but if the story repeats itself yet again they can make sure the victim is at peace. They can solve the murders and find the lost items and release the spirits who are trapped. The living won’t help the dead, but they can help each other.

So they call themselves the Dead Boy Detectives, form an agency and get an office and help who they can, because they didn’t matter to the living, and many of their clients don’t either. But they matter to the dead.

Their clients matter. And Charles and Edwin matter too.

9 months ago

Guys niko's fringe is straighter than any of the gang I just realized


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4 months ago

@whatcoloristhatcat ?

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8 months ago
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6 months ago

Hey @netflix do you remember tweeting this? Because I remember when you tweeted this!

Hey @netflix Do You Remember Tweeting This? Because I Remember When You Tweeted This!

We're still waiting for you to be "so annoying" about them. Maybe a good place to start is renewing Dead Boy Detectives!

You and @warnerbrostv need to put your heads together and figure out a way to do right by this incredible show and its creatives. Customers are sick and tired of the "Netflix Graveyard" sending poignant stories with great LBGTQ+ representation to an early grave. Queer stories deserve to be told, and the people who feel seen by them enjoy to have closure. We pay the subscription fees that everyone else pays, so have a little integrity!

LISTEN TO YOUR CUSTOMERS. Everyone from the fans to critics to journalists and pop-culture sources has been screaming about this show's worth, and you two are the only ones who fail to see it! Open your eyes and know a good thing when you have it; Dead Boy Detectives is a hit, people love it and want more of it, so it's a guaranteed profitable investment long-term.

You already have season 2 scripts @netflix and @warnerbrostv, so make it happen!

8 months ago
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5 months ago
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nomgett - YappityYap central
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chimcken nomgett :) ☆☆current fandoms: ARCANE ☆☆ ★★old fandoms (I'll make ocs but I kind of forgot the story lines oop) : warrior cats, wof★★ just having a little fun :D

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