When I Return A Library Book, I Make Sure To Walk There Holding It In My Hands Instead Of In My Bag.

“So let me get this straight. We’re here to rescue a princess.”

“That’s right.”

“At the request of a princess.”

“Right again.”

“And you, who will be leading the expedition, are also a princess.”

“You’re very perceptive.”

“How big is your royal family, again?“

“We don’t have one.”

“But–“

“We overthrew our monarchy centuries ago, but we kept most of the titles around. The rank of ‘princess’ is held by the directors in charge of various civil service branches.“

“Huh. And the princess we’re rescuing today is in charge of…?”

“Public sanitation.”

“The Lord of Death’s Dominion kidnapped your public sanitation director?”

“We think he’s a little confused.”

I cannot believe there's absolutely no way to watch free shows and movies anymore, there are too many paid streaming platforms and pirating websites have viruses and ads preventing you from watching it uninterrupted((.)) id rather follow the rules and purchase media moving forward because it is too inconvenient. Seriously, free and no ads or viruses with 1080p streaming is DEAD.

The Owl House fandom is very funny bcos at one end you have the Lumity shippers but then at the other end you have the people who are obsessed with the Bone Pit

why is france called the hexagon when its abundantly clear that it’s a pentagon

I apologise if you've already answered this, but I tried searching your blog and I'm unsure if you haven't or if it's another example of Tumblr's amazing search system.

I was talking with a friend recently about how much of a culture clash the Monk Class is compared to the rest of Dungeons & Dragons and was wondering if there is a coherent reason for their original inclusion. I'm aware that they're largely influenced by Shaolin monks as depicted in Hong Kong cinema in the 70's/80's as compared to the Sword and Sorcery stuff most of the rest of D&D takes influence from.

Basically, my question ultimately boils down to, "Is the Monk Class there purely because of an original player wanting to rule of cool their way into playing something wildly out of genre, or is there a stronger link between Sword and Sorcery and Hong Kong cinema that could have organically resulted in the Monk Class joining the rest of the classes?"

A lot of the link between the two was simply a matter of time and place. The kung fu craze hit North America at just about exactly the same time as the sword and sorcery revival that gave us films like Clash of the Titans and Beastmaster and The Sword and the Sorcerer and Dragonslayer and Krull – not to mention the Arnold Schwarzenegger Conan adaptation, which revived popular interest in first-wave sword and sorcery literature – so there was a lot of it going around. Analysis of early Dungeons & Dragons as a product of its media influences often overlooks that it was largely drawing on what was trendy in American popular media in the 1960s, 1970s and 1980s. Even the tonally incongruous Lord of the Rings references weren't a deep cut; while the books were originally published in the 1950s, they'd experienced a strong resurgence in the 1970s, putting them firmly in the popular consciousness at the time that D&D was being developed. All this being the case, it's not surprising that early D&D was also substantially influenced by Hong Kong action cinema.

That said, the reason the monk character class in particular (i.e., as opposed to kung fu media influences more generally) is there is allegedly because one specific guy in one of the game's early playtest groups really, really wanted to play as Remo Williams from Warren Murphy and Richard Sapir's The Destroyer; several of the class's signature abilities are direct references to powers Williams exhibits in the course of the novels. Remarks from folks who worked at TSR at the time have pointed the finger at Brian Blume as the Remo Williams fan in question, though accounts are conflicted whether Blume was actually an uncredited contributor to Dave Arneson's Blackmoor (1975), in which the class makes its first proper appearance, or whether Blume's interest merely prompted its inclusion.

This is the case for the character archetypes in a lot tabletop RPGs of that era; instead of trying to work out what classes "ought" be be present, authors would simply start with the types of characters their playtesters actually wanted to play, often based on specific popular media characters, then work backwards to derive an IC rationale for why those were the setting's standard adventuring professions. Other examples from D&D in particular most obviously include the Ranger (based on Tolkien's Aragon, naturally), but also the Paladin (principally inspired by Holger Carlsen from Poul Anderson's 1961 isekai novel Three Hearts and Three Lions, also the source of D&D's goofy regenerating trolls), the Assassin, back when it was still a separate character class (probably mainly based on the Assassin Caste from John Norman's Gor), and even the Wizard to a large extent (less Gandalf than you'd think: a large portion of D&D's iconic wizard spell list is lifted directly from the 1963 Vincent Price film The Raven).

(I often think that modern indie RPGs could benefit from reviving this approach. Like, fuck textual consistency – just pick half a dozen of your favourite popular media characters without regard for the compatibility of the source material and work backwards to explain why these six random assholes are your game's playable archetypes!)

There is no better vampire than the nightmare of London, terror of the British isles, king vampire cocksman of all Europe, and technically not a vampire, Varney

I could look at the flavor text and art of random magic cards for hours on end

Flavor Text Highlights - Magic 2020

<- Previous Set | Next Set ->

Cool - Show of Valor

“As the knight struggled to stand, his squire took up his blade. The foe advanced not a single step.” —Krinnea, Siege of the Bone Spire

Funny - Pattern Matcher

“Good! Now put it with the other widdle bunnies.” —Sargis Haz, artificer

Worldbuilding - The Lament for Bala Ged Cycle

“Yarok grieves within the waste Of Bala Ged’s corrupted land.”

“Yarok’s waters rush and rage Where armies bled into the sand.”

“Yarok’s nightmares lurk and wait Where dark despair is near at hand.”

“Grief and rage and nightmares fade Where hope and comfort make their stand.” —Lament for Bala Ged

Emotional - Tale's End

“When you are gone, will anyone remember your story?” —Unknown

<- Previous Set | Next Set ->

I bet I could use this to wish away that pesky genie

I put a cursed ring into the urban fantasy vending machine in an attempt to get rid of it

the vending machine dispenses a dessicated monkey's paw

Roy's brain whenever he sees Fullmetal:

I love how Fullmetal Alchemist Brotherhood starts with Ed being super melodramatic and saying things like “Thanks to science we have to power to play god” and “I’m just like Icarus flying too close to the sun” and it ends with him telling the personification of the universe that the power of friendship is stronger than magic