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i. latin is the most common language eosian nobility and royalty have derived their names from. nonetheless, the fleuret line, at times, does also use a variety of freyja’s names for their daughters. the norse goddess freyja had gone by several identities during her voyage in search for her lost husband, as well as those that she assumed as she was impaled and burned three times by the aesir and then happens to be reborn each instance.
this includes names such as : gef / gefn ( the giver ) , hörn ( flaxen ) , mardöll ( sea brightener, or the one who makes the sea swell ) , skjálf ( shaker ) , vanadis ( the dis / fate spirit of the vanir ) , gullveig ( gold-thread ) , and heidr ( bright, clear ).
not every child would have been bestowed a name that referenced freyja, however, here could be examples of this practice :
gullveig was the first healer-oracle after aera and ardyn’s demise, and built the fleuret royalty.
lunafreya may be partly named after her maternal grandmother freyja. an oracle who could have immensely committed to the purification of the dead, and was therefore occasionally nicknamed valfreyja ( the lady of the slain ). she had two daughters : sylva and hnoss.
the mysterious oracle whose temporary successor was a lucian king could have had one of frejya's names, like mardöll.
ii. the standard arm of the oracles is a trident, the symbolism of which is found in lunafreya’s name entirely. it primarily comes from the connection between freyja’s father being the sea god njördr and the greco-roman equivalent of the oceanic god poseidon / neptune whose iconic weapon is the trident, in addition with the fact that the moon has magnetic control over the tides.
iii. the trident is not the only tie to water that is evident for the fleuret house. the sylleblossom as a native flower to tenebrae, en masse, resembles a whole sea in the clouds. this opens the door for the assumption that societies and cultures in the tenebraen lands used to have a deep spiritual connection with water and the seas, as opposed to the ancient peoples of solheim, who worshipped the fire ; and the earlier oracles, perchance, still were tethered too those beliefs to praise water’s purifying qualities that would cleanse the souls of those that perished of the still wide-spread disease. water is both purifying and symbolized death for the ancients, which is visually portrayed within luna's death sequence.
iv. those of fleuret blood are semi-immune to the flames of the lucii ring. while the ring drains slowly the vitality of the king who wears it, the holy fire is a defense mechanism for those unworthy and would claim their life either instantly, or as a price for the temporary use of its power. there are two instances of exceptions that were spared from this. ravus nox fleuret, who was of fleuret blood and unworthy, would be branded but not wholly engulfed. and ignis, who was of no particular blood, but was given the power as a necessity to protect its true bearer, and was as reward excused with the price of his sight.