I Like Reading Spock Analysis Because His Character Is Absolutely Awesome. Spock Is A Character That

when i read the song of achilles i was very surprised at how genuine and equally matched their love for each other was. there wasn’t any such thing as one being more in love than the other. i’ve become so accustomed to that trope, that i kept waiting for it to happen; but it never did. i’m so used to love being a miserable, painful, unrequited thing, i kept expecting the moment when finally their unconditional love reached its limit but it never fucking did.

there was never a moment that patroclus wouldn’t have died, fought, or killed for his lover. and never one moment where achilles wouldn’t do the same. it never mattered that achilles was aristos achaion, because patroclus was the world to him and never stopped being so.

we never had to watch them grow apart, or become bitter towards each other. it was all pure, faultless, unyielding love until the very end. they never had to yearn, they never had to doubt. patroclus agonized over the idea of one day losing his achilles, constantly worrying over him. and achilles completely wrecked with grief over losing his most beloved.

still cannot believe Star Trek canonically made an episode where the plot was ‘Spock goes into heat and is going to die unless he has sex but then he rolls around on the ground with Kirk and pins him down and chokes him and after that he’s fine". 

Also this episode establishes that touching and sharing thoughts is so intimate that it is used to seal an arranged marriage pact…in the same episode where in an earlier scene Kirk just casually grabs Spock’s hand and Spock seems cool with it. 

Oh. And ALSO. After Spock has explained to Kirk that he is in heat and needs to have sex or die he’s all “Captain, there is a thing that happens to Vulcans at this time. Almost an insanity, which you would no doubt find distasteful.“ And Kirk’s response is to kind of raise an eyebrow and say “Will I?” in a way that suggests very much the opposite.

I just. This show was something else huh. No wonder it manifested modern fandom and fanfiction culture. 

aftg is the opposite of that one post that's like "love was there, it didn't change anything" because love was there and it changed everything. i will always appreciate nora for believing in her characters' right to find love and heal and get their second and third and fifth chance.

i've said before i love the way mccoy and spock take care of kirk. but the way kirk looks out for spock when his father is not only the first suspect in a murder case but also has jist had a heart attack. its slightly different the way kirk does it, he's more direct and more soft spoken- it's a tone of voice he rarely has- but he understands the topic is not up for discussion and he let's it go, hopefully letting him know hes there if spock need him

andrew interacts with neil like he's playing episode with no diamonds

Spock realizing "You'd make a splendid computer, Mr. Spock" is one of the bestest things anybody told him. I'M FEELING UNWELL. JAMES T. KIRK I'M TIRED OF YOUR EQUAL PARTS FLIRTING AND TEASING. JUST TELL THE MAN YOU LOVE HIM.

I don’t think I’ve heard anyone talk about it before, but I really love Nora’s writing style in how unique it is about revealing and describing things. We didn’t know neil’s natural hair and eye color until the end of the Raven king. Before that, it would mention him checking his roots all the time as he made sure none of it showed, but we were never told what color it actually was until it became a permanent part of his appearance. We didn’t know his height until the king’s men when compared to an opposing backliner. I know it’s easy to forget, but we didn’t actually know that his father was named Nathan, or that Lola was a person that existed (+ everyone else in Nathan’s inner circle, or that he even had an inner circle) , until their first scenes where they’re present. There are a lot more instances where this happens in the series, and I haven’t actually encountered another book that’s done this before and it’s really interesting.

When I secretly wished for more taylor swift songs to apply to the ineffable husbands I didn't mean you're losing me

Everyone just thinks that hozier vibes are just cottage core with trees and animals and all that stuff, but i raise you Hozier's album vibes being:

Self titled: a beautifully old pub, with random guys in the corner screaming laughter with beers on their hands, a beautiful group of women happy in a table at the centre and a guy alone on one of the stools writing his diary

Wasteland, baby: a destroyed town due to some man made disaster and all that's left are ashes of what was once there and a couple that just fell for each other coming back to see what's left of it

Unreal Unearth: well maintained but abandoned cathedral at night with its affreschi coming off, a broken painting in the corner, and infinite history underneath it, a guy looking at all of it right after having his heart broken for the first time

aziraphale's relationship with heaven vs crowley's relationship with hell in S2 serves as this beautiful, heartbreaking metaphor for the choice that so many queer people with unaccepting - and in many cases abusive - families find themselves forced to make. crowley has made the leap. he's cut himself off, and when they've tried to stay in touch or even bring him back, he's always resisted. "we're better than that, you're better than that!". in a way he's been through it before - he was rejected by heaven, and so it makes sense to him to take the opportunity to reject hell on his own terms. it doesn't come without consequence, of course. so many queer people find themselves having to suppress their identities until they're financially independent - cut to crowley living in his car. but he's made the choice, and he's free to do his own thing now. aziraphale, at the start of the season, is also more or less completely separate from heaven; we know from crowley "they don't talk to him anymore", and he's not making any effort to get in touch with them. but then when they ask him to come back, they manipulate him again. the metatron offers him coffee and then tells him "i've ingested things in my time, you know" - a world away from gabriel's "why do you consume... that?". he's assured that the things which he thought made him too... different, too not-good for heaven, are in fact okay. aziraphale was finally living his own life, far away from them, and doing the things he enjoyed, the things that they always shamed him for. but now he thinks, maybe he can go back and this time they'll accept him - it doesn't have to be like it was before! he's changed and maybe they have too, and if they haven't then maybe they'll listen to him! he can show them how to be better, he can make a difference. he isn't yet ready to face the reality that he can never be the person (well, angel) that they want him to be, not without losing sight of what makes him him. he might wish he could bring himself to say no, to cut them off, but he can't do it. because despite it all, he still has hope that they can change. and of course he does - years of trauma have told him time and time again that they're the good guys, after all. so he thinks, if they can't change, then who can? if they can't accept him, who will?