Listen, You Know Why Andrew Loves Neil? Why Neil Abram Josten Was The One Andrew Would Allow Into His

zephram cochrane in metamorphosis is a weak ass bitch. if i found out a telepathic gaseus alien being was in love with me i would simply love and cherish it in return send post

Something about how Jim became so accustomed to Starfleet parlance that it’s the only parlance he can speak at all. Something about how his relationship with his ship and his work as Captain extends to language as well, to the way he handles and expresses his emotions.

Amok Time – Kirk is confronted with the fact Spock keeps a dangerous secret that, if not shared, might end up with his first officer killed

The Apple – With the landing party marooned on a strange planet and the USS Enterprise being pulled ever closer to the ground, Kirk asks Scotty something beyond excellence.

The Doomsday Machine – Commodore Matt Decker stands in the maw of a monster with a dead crew and stripped of any will to live. Kirk tries to bring his old friend to reason, but nothing else can be done for Decker as he looks death in the eye.

I understand how, especially in the third instance with Matt Decker, he might've seemed cold (your buddy is about to off himself, and you remind him the higher-ups spent too much money on his formation), but I see it more as Kirk trying to ground both himself and his friend (who is also a Commodore, might I remind you) than simply reducing Decker to his position.

It also accidentally reveals a lot about Jim (although reveal is not the best word, as that same thought has been explored in numerous episodes before), how much his sense of worth is tied to his job—to how well he can perform and excel at it.

But that's not all he's saying. In both instances (Amok Time and Doomsday Machine), Kirk puts himself in the Federation's place because he sees its recognition as more valuable, more "worth living for" than his own.

It's his way, the way of a man who knows no life other than that of servitude, of saying I care about you, and I don't want to lose you.

It's really tragic that it is not enough to save Decker. If both Matt and Jim share the belief (which appears more often than not in Starfleet overachievers) that your inner worth is tied to how well you can perform it, Matt is left face to face with the rather morbid fact that he failed severely and his whole crew is dead because of it.

To sin is human, yes, but if the Doomsday Machine is the Devil, as the Commodore himself put it, it truly is a shame Decker did not view himself as deserving of forgiveness

McCoy: Well, that's the second time man's been thrown out of paradise.

Kirk: No, no, Bones. This time we walked out on our own. Maybe we weren't meant for paradise. Maybe we were meant to fight our way through. Struggle, claw our way up, scratch for every inch of the way. Maybe we can't stroll to the music of the lute. We must march to the sound of drums.

Spock: Poetry, Captain. Non-regulation.

Kirk: We haven't heard much from you about Omicron Ceti Three, Mister Spock.

Spock: I have little to say about it, Captain, except that for the first time in my life I was happy.

---

This might legitimately thee most beautiful ending of any episode of Star Trek ever made. The dialogue, as per usual from Dorothy Fontana, is exquisitely written, and it's performed perfectly by all three.

But I find it especially interesting that Ralph Seninsky chose to cut to Spock while Kirk is talking about how "we must march to the sound of drums", because while it's a philosophy that Kirk wholeheartedly agrees with, this episode seems to show that it's one that Spock has taken onto himself - his self-made purgatory. To Kirk, marching to the sound of drums is the only way to find true happiness. To Spock, marching to the sound of drums is the life that he has chosen, and for it he must sacrifice happiness.

But I also find it additionally interesting, as Spock plays a Vulcan harp/lyre/lute. It's almost as if Kirk's poetical philosophizing is speaking directly to various parts of who Spock is as a person. Perhaps he cannot stroll to the music of the lute, but that does not mean he cannot embrace that music all while marching to the beat of the drum.

Like I said earlier, I feel like Spock genuinely did grow after this episode because he does seem to embrace an appreciation for beauty after this more than he had before, and this is the final moment showing that. In his own way, Kirk is telling Spock that he does not have to give up the former in order to achieve the latter. And in his own way, in response, Spock gently denies that.

And it's heartbreaking, and beautiful, and amazing in every way

unreal unearth has so many echoes of his debut album. "de selby pt 2" and "to be alone" in the desire to kill the lights and become one, "butchered tongue" and "foreigner's god" in the struggles of language, "first time" and a very early interview where he describes falling in love as a death. it's not a rehash - it feels like simply a returning, reflecting on those same themes (and on, perhaps, the same events that inspired them) through new eyes. as a long time fan, it feels like coming home

can Hozier release the new album plz. it would fix me

I don’t think I’ve heard anyone talk about it before, but I really love Nora’s writing style in how unique it is about revealing and describing things. We didn’t know neil’s natural hair and eye color until the end of the Raven king. Before that, it would mention him checking his roots all the time as he made sure none of it showed, but we were never told what color it actually was until it became a permanent part of his appearance. We didn’t know his height until the king’s men when compared to an opposing backliner. I know it’s easy to forget, but we didn’t actually know that his father was named Nathan, or that Lola was a person that existed (+ everyone else in Nathan’s inner circle, or that he even had an inner circle) , until their first scenes where they’re present. There are a lot more instances where this happens in the series, and I haven’t actually encountered another book that’s done this before and it’s really interesting.

Bones is spirk's no. 1 shipper

Star Trek: The Original Series S01E29 "Operation: Annihilate!"

Balance of Terror is probably, up to that point, Kirk in his most perilous situation. It is full battle mode where if he makes so much as one wrong move, he risks death. Not too mention potential war against an enemy that he knows little to nothing about. Thus, for the vast majority of the episode, we have Kirk in Full On Captain Mode... except for one scene.

It's been hours now since the battle against the Romulans has started. At this moment, the Enterprise is a sitting duck and all that they can do is wait. Which gives Kirk plenty of time with his thoughts and in turn, his doubts. Doubts that he cannot let anyone see under any circumstances. Even when Rand, his personal Yeoman who has seen him at his best and worst, comes to see if he needs anything, the mask stays put. There's no point in bombarding her with what he's feeling internally and freak her out. That's not a luxury that he's allowed.

Well... save for one person.

As soon as McCoy walks in and Rand leaves? Kirk is noticeably more at ease. You can even see Rand realize it and leave, allowing McCoy to help the Captain when she clearly isn't going to get anywhere.

It's only then that Kirk feels comfortable talking and letting his doubts be visible. It's the one vulnerable moment that he lets show in the episode, feeling the pressure as his men to look at him and the fear of what happens if he's wrong. If you think back to The Corbomite Manuver we had a similar moment where McCoy tried to talk to Kirk, but while Kirk was at more ease, he didn't want to hear it nor did he let himself really open up. He doesn't even use Bones then, which sure it's probably because they hadn't thought of the nickname yet, but in-show you can interpret it as Kirk remaining in professional mode even to the guy who has it in his job description to see to his mental health.

Not that McCoy is there just because it's his job, of course.

From what we can tell, McCoy went to Kirk on his own volition. He wasn't called or anything, he went to go make sure that Kirk was doing okay. He's been in Sickbay for the majority of the episode and hasn't exactly been able to make time to go check on the Bridge Crew, especially not Jim. Now that he can, he's just there to let Kirk air out whatever he's been bubbling in for so many hours , as he always does.

But Kirk doesn't need McCoy, his Chief Medical Officer and essentially therapist, right now. And he clearly needs more than a soundboard to vent his feelings to. What Jim needs is Bones, his best friend and confidant. You even have McCoy, once Kirk's done talking, start to go 'Captain I-" before he's cut off, still somewhat in that professional mode (maybe even remembering the last time he spoke out of line in a tense situation ala The Corbomite Manuever). That's not what's needed. Kirk didn't expect an answer, but McCoy stops him. He outright says that he normally doesn't talk to 'a customer' like he is now, which goes to show how much he views Jim as far more than a patient or as the captain of the ship. Kirk is, first and foremost, his friend, and he needs some kind of reassurance right then and there.

And that's exactly what he gives.

MCCOY: But I've got one. Something I seldom say to a customer, Jim. In this galaxy, there's a mathematical probability of three million Earth-type planets. And in all of the universe, three million million galaxies like this. And in all of that, and perhaps more, only one of each of us. Don't destroy the one named Kirk.

Just that bit of assurance and Kirk is good to go. And I think he needed it from Bones specifically. Bones, the one person that Kirk can really be himself around. The one person who he's allowed to be vulnerable around. The one person who has always been there to ease him and help him process his feelings, as we've seen already in episodes like The Enemy Within. And even with McCoy worried himself, even having voiced concern about the gamble that Jim is taking earlier in the episode, he still trusts him and has faith in him. And unlike The Corobomite Manuever where he provoked an argument and had his priorities skewed, McCoy knows what Kirk does and doesn't need right now, and he delivers.

IDK, I just love these two so much and I need to voice it for the world cause dang it, someone has to!

theres something so special to me about kirk being incredibly private, unhealthily so, he alone going his way doing what he feels is right. it's exhausting but it's what he's always done, it's what he must do.

but spock and mccoy, they notice there's something wrong, they meet up, try to to find out what it is and how to help.

spock might not know much about human emotions but he knows loneliness and he knows guilt and he would never want jim, his brilliant captain to feel that.

so spock, the cold, emotionless vulcan goes to his quarters and talks to him stern but kindly. he erases his memory, he's always ready to be by his side no matter what.

the both of them would see stars born and die before they'd willingly let anything happen to jim

When the moon fell in love with the sun.