I See The Way They Are Looking At Me And I Know They Wish I Were Different, So I Smile And Laugh Pretending

still cannot believe Star Trek canonically made an episode where the plot was ‘Spock goes into heat and is going to die unless he has sex but then he rolls around on the ground with Kirk and pins him down and chokes him and after that he’s fine". 

Also this episode establishes that touching and sharing thoughts is so intimate that it is used to seal an arranged marriage pact…in the same episode where in an earlier scene Kirk just casually grabs Spock’s hand and Spock seems cool with it. 

Oh. And ALSO. After Spock has explained to Kirk that he is in heat and needs to have sex or die he’s all “Captain, there is a thing that happens to Vulcans at this time. Almost an insanity, which you would no doubt find distasteful.“ And Kirk’s response is to kind of raise an eyebrow and say “Will I?” in a way that suggests very much the opposite.

I just. This show was something else huh. No wonder it manifested modern fandom and fanfiction culture. 

SPOCK DOESNT LOOK LIKE SATAN WHY ARE THEY SO MEAN TO HIM LET ME THROUGH THE FUCKING SCREEN IM GONNA BEAT THEM UP

Hozier writing De Selby (Part 2) inspired by a character in Flann O’Brien’s novel The Third Policeman makes the music video so much more compelling and absolutely bananas to watch, not just because Domhnall Gleeson is a treasure and delivers a killer performance without even saying anything, but also like… let me get into the lore of this:

The Third Policeman is about this mad scientist/philosopher/scholar who robs and murders someone in the midst of academic pursuit and enters this literal nightmare world where he’s punished by these policemen who are monsters and is doomed to repeat his mistakes forever. And the visuals of Domhnall Gleeson’s character are so similar the drawing of the central characters of the novel as seen above. The shabby brownish clothing, the hair colour, the shovel in hand, it all matches.

The story is also a slight condemnation of science and views trying to establish ultimate truth as prideful and heresy. As an article from The Irish Times on The Third Policeman states: “As a consequence, all theories are crackpot, all knowledge is useless and the only meaning is that life is a hell of endless repetition.”

it also states, on the novel: “To illustrate the futility of scientific theorising, O’Brien uses a recurrent theme of infinite regression. One of the characters has eyes with a pinpoint behind which are eyes with another pinpoint and so on to infinity; the narrator wonders if his soul is “a body with another body inside it in turn, thousands of such bodies within each other like the skins of an onion, receding to some unimaginable ultimum”; De Selby studies in a series of parallel mirrors infinite reflections of his face going back to early youth; and Policeman MacCruiskeen has constructed a series of nested chests with the last few so small that they are no longer visible to the naked eye. So speculation and experiment are mad activities that literally disappear into nothingness.”

And then we see Dumhnall Gleeson in the music video on a cycle he doesn’t know how to break, some violent repetition where he’s burying himself and going crazy, and the imagery of several versions of one person fits this PERFECTLY.

zephram cochrane in metamorphosis is a weak ass bitch. if i found out a telepathic gaseus alien being was in love with me i would simply love and cherish it in return send post

it’s the fact that ed doesn’t know. he doesn’t know that badminton kidnapped stede with the intent to kill him. he doesn’t know that stede was so filled with self-hatred that he ran back home because he believed what badminton said: that he defiled beautiful things. and ed is the most beautiful thing he knows of. ed doesn’t know that stede is completely in love with him and knows it now. ed doesn’t know stede concocted the most elaborate and ridiculous fuckery (with the help of his awesome wife) to fake his death just so he could sail off and find ed and be with him forever. because faking your death means you have no intention of ever coming back; stede faking his death was a commitment to ed. and ed doesn’t know that stede is waxing poetic about him and staring at the moon thinking about him and being oh so in love with him.

instead, ed thinks stede lied to him about ed making him happy. he thinks stede lied to him about how much he cared for him. he thinks stede just up and left, because he’s ed and no one good stays for him.

I like reading Spock analysis because his character is absolutely awesome. Spock is a character that acts like a prim rule follower, but in reality, he has a complex set of internal rules, beliefs, and a strict moral compass. He is not necessarily a good person, depending on the point of view, but he is both empathetic and capable of viewing the bigger picture, and able to act immediately (but never rashly) while following his personal code. He might regret the outcomes, but he will stand by his choices as the best option available at the time. He is so interesting because he is a rebel, if he has to be, or a rule follower, if the rules agree with his code. He is immovable by the moral standards of society. And he doesn't bother making a scene of it, so most people never notice. But Spock only ever does what he believes to be right.

Spock realizing "You'd make a splendid computer, Mr. Spock" is one of the bestest things anybody told him. I'M FEELING UNWELL. JAMES T. KIRK I'M TIRED OF YOUR EQUAL PARTS FLIRTING AND TEASING. JUST TELL THE MAN YOU LOVE HIM.

hey look it’s another world in its darkest time and we know this because spock has a supervillain goatee and jim is dressed even sluttier then usual.

Thinking about AOS Mirror!Verse Spirk is fucking me up a little because, canonically, in the prime Mirror!Verse, Spock killed Kirk, tried to reform The Empire, and caused the fall of The Empire in doing so by weakening it to invading parties. This man must regret basically every single thing he did with his life. He thought he was doing the right thing, the logical thing, ensuring the longevity of his world, and all he got was a dead soulmate and a legacy of failure.

And now he’s been granted the chance to tell his younger self to not do any of that. That there’s no saving The Empire from itself, but The Empire doesn’t matter. That killing Kirk would feel like killing himself. That he would regret it every day of his life. That his life will feel so, so content if he just follows this man and his trail of bloodshed through the galaxy.

Torture for him.

Kill for him.

Die for him.

And he will, and he does, and this time when The Empire burns itself out, Spock regrets absolutely nothing.